The story
A bodyin motion.
Flamenco dancer Selene Muñoz enters a film studio surrounded by cameras, light and people. At the centre of the room, she dances through the gazes, expectations and structures attempting to contain her.
The making of CUT
Inside the experiment.
The journey began with collecting an ARRIFLEX 765 from ARRI Rental in Munich. It brought together more than 60 film workers at FilmGear in Copenhagen, with four cameras ready to capture the same performance.
Our love of film also means sharing how it is made. Go behind the scenes with the people who turned this experiment into a film, and see the craft that keeps analog cinema alive.
Shot on film
Same moment. Different feeling.
Super 8, Super 16, 35mm and 65mm, rolling at the same time. Watch the formats side by side and see how texture, movement and scale change the experience.
Cameras, lenses & film stock
- Super 8
- Beaulieu 6008 ProSchneider Optivaron 6–70mmKodak VISION3 200T
- Super 16
- ARRIFLEX 416 PlusZeiss Ultra 16Kodak VISION3 200T
- 35mm
- ARRICAM STLeica RKodak DOUBLE-X & VISION3 200T
- 65mm
- ARRIFLEX 765ARRI Vintage 765 PrimesKodak VISION3 200T

Director’s note
Why this film?
CUT puts a person at the centre of the filmmaking machinery. Selene is surrounded by cameras, lights and people, but her dance gives the images life. I am drawn to the tension between her movement and the gazes and structures around her.
I believe in an audience that is curious about cinema. With CUT, I want to open a conversation about film as both storytelling and craft, and about the images we want to make in the future.
Jesper Tønnes · Director
Cast & crew
The people behind it.
Selected screenings
- Odense International Film Festival
- San Francisco Dance Film Festival
- Dance Camera West
- InShadow Festival

View full creditsHide full credits
Rebel Pictures presentsCUTShot on Super 8, Super 16, 35mm & 65mm film
- Director & editor
- Jesper Tønnes
- Performer & choreography
- Selene Muñoz
- Producers
- Jacob Jayantha · Anders Lindved · Jesper Tønnes
- Director of photography
- Kristoffer Engholm Aabo
- Cinematographers
- Kristoffer Engholm Aabo · Camilla Hjelm · Anders Lindved · Manuel Claro
- 1st AD
- Simon Fennec
- 2nd AD
- Rasmus Hougaard
- Gaffer
- Martin Riello
- Gaffer assistants
- Johan Kristian Sandmark · Louise Wolff Thustrup · Mathias Kruse Gregersen · Kristoffer Bak · Christian Lightbody · Nikolaj Holmøe-Jensen
- 65mm · 1st AC
- Thomas Holm Deleuran
- 65mm · 2nd AC / loader
- Sascha Mieke
- 65mm · Dolly grip
- Bowie Richard Bak Craner
- 65mm · Dolly grip assistant
- Alex Persson
- 35mm · 1st AC
- John Frimann Rasmusen
- 35mm · 2nd AC / clapper
- Daniel Riisbrigh Heinsmann
- 35mm · Dolly grip
- Rune Wedel-Heinen
- Super 16 · 1st AC
- Sebastian Sandnes
- Super 16 · 2nd AC
- Sebastian Sky
- Super 16 · Dolly grip
- Nicolaj Bak
- Super 8 · 1st AC
- Johan Back
- Super 8 · Dolly grip
- Magnus Ohmsen
- Steadicam
- Daniel Parmo
- Production coordinator
- Sasia Bernild Mølgaard
- Production assistants
- Laura Rigillo · Cecilie Odgaard
- Production design
- Patricia Weber
- Art director
- Louise Kongsted
- Costume design
- Lune Design
- Costume
- Nina Helbak
- Make-up
- Elaine Decor
- Music
- David Hildebrandt · Selene Muñoz
- Sound design
- Peter Seeba
- Sound recording
- Martin Lindum Cederholm · Benjamin Rozilio
- Sound assistant
- Emil Øllgaard Vilhelmsen
- Colourist
- Isac Hessellund, Copenhagen Visual
- Virtual production
- Mark Stig Bertelsen · Theis Emma Berthelsen
- Film lab
- Kodak Film Lab
- Scanning
- Digital Orchard
- Behind-the-scenes photography
- Jeppe Broch · Valdemar Ruus · Valentin Marcus Andersen
- Special thanks
- Kodak Motion Picture Film · ARRI Rental · FilmGear · Kamera Rental DK · Shutterbug · Mutascan · FX TEAM · Tuborgfondet · Det Danske Filminstitut · Kantine Bistro · Social Brew · Kodak Film Lab UK
- Production company
- Rebel Pictures
On screen. On set.
The film and the making.
Get in touch

